A contemporary art institution dedicated to the promotion, exhibition and documentation of Belizean

The Blvd celebrates a neighborhood and its people, who face hardship with grit, gratitude, and grace. It offers a distinct narrative of Compton's past that maps the joy and pride held by those who call this place home. The Blvd is the first poetry collection by Jenise Miller and the first collection developed and published through the DSTL Arts-Poet/Artist-in-Residence Program

Finding La Negrita by Natasha Gordon Chipembere is a captivating retelling of the Black Madonna narrative, which has driven Costa Rica’s national and spiritual identity since the 1700s. In powerful prose, Natasha Gordon-Chipembere delivers a vivid and intimate living portrait of slavery in this nation, which was radically different than plantation bondage in other parts of the Americas.

In The West Indians of Costa Rica Ronald Harpelle examines the ways in which people of African descent reacted to key issues of community and cultural survival from 1900 to 1950. He shows that the men and women who ventured to Costa Rica in search of opportunities in the banana industry arrived as West Indian sojourners but became Afro-Costa Ricans. The West Indians of Costa Rica is a story about choices: who made them, when, how, and what the consequences were.

To Defend this Sunrise examines how black women on the Caribbean coast of Nicaragua engage in regional, national, and transnational modes of activism to remap the nation’s racial order under conditions of increasing economic precarity and autocracy. The book considers how, since the 19th century, black women activists have resisted historical and contemporary patterns of racialized state violence, economic exclusion, territorial dispossession, and political repression.

The Silver Women shifts the focus of this monumental endeavor to the West Indian women who travelled to Panama, inviting readers to place women’s intimate lives, choices, grief, and ambition at the center of the economic and geopolitical transformation created by the construction of the Panama Canal and U.S. imperial expansion.

Illuminating the entangled histories of the people and commodities that circulated across the Atlantic, Sharika D. Crawford assesses the Caribbean as a waterscape where imperial and national governments vied to control the profitability of the sea. Crawford places the green and hawksbill sea turtles and the Caymanian turtlemen who hunted them at the center of this waterscape. The story of the humble turtle and its hunter, she argues, came to play a significant role in shaping the maritime boundaries of the modern Caribbean.